Do you use any masks? I have used a few. You can use different stuff for your masks and try to imitate the facial expressions. For example, if your puppet or actor has the same facial expression in a scene, it’s a great mask. You can use masking tape.
Will you be able to record a voice for the puppet? Or will you just use voice-over?
We’re trying to find a great puppet voice, and the voice-over part of it is difficult. But we’re hoping to be able to record the voices as well.
What’s that experience like? Because you’re still working on it.
Yeah. You’re still making revisions and changes. And I’m so excited to see what happens during the show. It’s like a puzzle. We’re trying to make it look real and to add texture. That was one of the reasons behind the mask. It’s a bit like using a headpiece.
How will the puppet come together? The mask and the voice. How will that part fit in with the puppet?
You can play with the face and the expression. There’s a lot of possibilities for the puppet.
Was the puppetress you originally created in your mind more of a clown, or like David Bowie?
What I was talking about with the first puppet, that was really about the puppet and about puppets.
How did you get the ideas for this show? What were you thinking from “Puppet Master”?
I have to say that David Bowie was a big influence. I loved him. So he was a good match.
How did the puppet come with you?
There was a guy I saw in London, who said “Here’s your costume.” That’s how it was started. But after it was used, there were a few different versions.
Who was wearing this?
I’m in the background but I was playing around with the character. The reason I didn’t do the show with my puppet is because the puppet isn’t as simple and I just wasn’t happy with that aspect of it.
What’s next? Anything you’re working on?
I’m working on a puppet show.
What does your career and life like if you don’t make puppets? Do you have hobbies?
I guess I have a hobby in my free time. I like to play piano. I would like to play violin
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