How do we go about it?
“It’s all in the eyes of the beholder. You’re getting the same thing, but on a completely different level.”
So if the video is not as good as a film, then what is?
“It’s subjective. It’s all about the audience,” Hockaday said.
The audience doesn’t need to be a “visual” audience.
“It’s about your experience and your ability to understand the content. It really affects the end result.”
And how does it affect the end result?
“It’s subjective,” he said.
So if you find a video to be better than yours (for instance, it has a different camera angle or uses subtitles, for instance), it is just good enough to publish — and that’s it. And that isn’t even the hard part.
“The only thing I don’t want to do is make one video that we can have an endless debate over,” Hockaday said. “But how do you know? Do you find the video to be worth it? Then you’ll either publish it or go back and work on it.
I’ll admit: I spent a long time looking at the original version of this article before I published it. I think in some cases, if a subject comes across as amateur, there is a chance that it can be the first step for a better version that has received more support and is better. However, the only caveat is that for this to happen, it has to be a first step.
But Hockaday did not go for the first step.
“I’m going to go back and work on it.”
How do you know?
“Look at the quality: the quality of the video, the quality of the production, who is editing it …”
This is a tricky area of the job.
“If it is a second-rate video, I’ll go home,” Hockaday said.
Hockaday even suggests, after you take a look at the video you made, that you ask yourself, “Is this the quality I want my audience to be able to see?”
As an example, he cites the recent documentary “Hacksaw Ridge.”
According to the makers:
The film portrays the aftermath of the 2015 attacks in Kunduz, Afghanistan, which left 32 Afghan civilians dead and many more wounded
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