That’s the biggest mystery!
Why aren’t you drawing any of the things you draw in your comics, like the Avengers (and in particular, the Thing and Quicksilver and Scarlet Witch) on page #2?
I really wanted them to stick around though, I loved the way they showed up.
Also, in the very first issue that I sent them, I wanted to draw the Thing’s chest for the first time in a while, but there was a little issue where I accidentally ran into a wall at such a close distance, and I accidentally broke the first panel down to show me the shirt! So I just went for the Thing, and didn’t really care about the rest.
So what sort of things can Stan Lee draw?
Everything, you know. I was so obsessed with Marvel back when I was doing my own comics that I’d drawn every Marvel character on every page. I could draw anything and everything. I was like, “What am I going to do with this?” The one thing he never did for Stan is do an “in space” panel or a “in my house” panel. He just doesn’t do those things.
I still think they do those. I mean, when I did “In Space,” that was when I thought it’d be cool to be the only female reporter at a space ship. I loved that idea, but it’s not what Stan really likes to do.
“I’ll draw Spider-Man,” Stan said (laughs). “What’s your answer?”
When you did “In Space,” did you take issue by issue and work out the story?
I did. I wrote the entire thing off the top of my head.
That’s always good.
That’s the first question I get asked. Everyone is always like “Wasn’t that terrible? Wasn’t that awful?!” The sad thing is, I have no idea when or how that actually happened. I got to the point where I could say it was all I wanted to do and I was happy with it. It was just a matter of me having the energy to sit in a room and write it. I had that in the beginning when I was just trying to figure out what to do, and it was a little overwhelming. It’s also something I got to as I got older. I was kind of like in this rut of that I wanted to draw these big things that are really big,
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