Here’s what I did the first time I had a sketch: I drew a guy on a horse, a car, a kid in a wheelchair, and then a man with a mustache on a bike next to a bunch of girls. It got to be four or five sketches in. There are three things that make sketching an acceptable art activity: a good drawing style, a well-trained eye, and a good pencil.
It’s easy to get lost in a book—draw the way you see the world—but if you do, sketching should be second nature.
Step #2: The “Wizarding” Method
It’s easier to learn how to draw by watching the professionals than it is to be a pro yourself. This is one area where the people I respect, who were also great masters of the craft, can show you what works.
I don’t do “wizards,” I do sketching. I can only do it in one way, but I will tell you what works for me: Draw it in your mind and try to put it on paper.
You know how the scene in the movie Harry Potter and the Prisoner of Azkaban where the main character and his friend meet a group of dementors? It can be hard to get the hang of it, but that’s how you learn; you take the pictures in your mind.
In your drawings, make a scene or a character you care about. Why does that character want to stay in that place forever? What do you care about, what does that look like to you? Then, after you’ve drawn it, try to put it on paper. Maybe that looks terrible. Or maybe you’re doing something wrong.
And of course, be careful not to put a line through something you didn’t want to. That would only distract you and give you a bad sketch. Also, if something you’re doing seems fun, try drawing something else.
You are learning by drawing. There was this artist, Jean Tait, who practiced drawing everything himself—that is, everything except for the art forms where you do it yourself. He said that he never drew anything he wasn’t proud of.
Don’t take my word for it. See what great artists he inspired.
BELGIAN TURF MOGUL BOUNCERS
A short section on the early years of the Turf Moor and its relationship to tennis.
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